Once upon a time, Honda meant
vision. Some of you might remember the CB250/305 (and "Scrambler" versions thereof, for the US market) which in very early 60's revolutionized one's outlook on "big bikes". Biking suddenly became
recreational, as opposed to merely
transportation-oriented (as it still
was in Japan, back then ,which, in hindsight, makes Mr Schoiro Honda's vision of the to-be Western World motorcycle market even more amazingly brilliant) or left to misfit, suburban hell or purgatory angels riding loud and oil-leaking Harley's or Triumph's

.
You met "
nice people on Honda's", so went the early 60's Honda ad campaign (am not too sure about the accuracy of the quote, but that was the gist of it). And that ad campaign went all the way to Sunday supplements of US DAILIES, whereas the "other" brands had not done much advertising, beyond hard-to find monthly rags.
Thanks to these Honda bikes (all 4-stroke, all offering more HP per engine displacement than anything else on the market at the time , all being perfectly finished and all being incredibly reliable), "made in Japan" started to invite respect, if not envy. Pearl Harbour sunk into oblivion (pun, if any, not intended)
Contributing to this Japanese redemption (here I come !) was, believe it or not, the FACT that a Japanese singer, Kuy Sakamoto, hit the
US top-selling records list for three months in a row in 1963. The "romance" song was "Sukiyaki", not its original title, evidently, but far more acceptable to the US buying public according to its US producer.
Anytime.

Ol'Jamie.